Mannerism and Baroque - 1152 Words

Mannerism and Baroque Western Governors University Literature, Arts and the Humanities: Analysis and Interpretation IWT1 May 8, 2013 Mannerism and Baroque If you study art history at any length, you will become aware of the many different periods and their individual characteristics. There are prime times throughout art history that the general populations can easily identify such as Renaissance or Impressionism. They might even be able to name a few of the artists or their artwork. As you delve further into the rich history of art, you start to notice many deviations in the style of artists who are transitioning into a new artistic period. At first look, you might not see the subtle difference in the art from the norm†¦show more content†¦In the seventeenth century, the city of Rome became the model indication of Catholic dignity and satisfaction articulated in all the arts. (The Metropolitan Museum of Art, n.d.) â€Å"The popularity and success of the baroque was encouraged by the Catholic Church when it decided that the spectacle of the baroque artists style could communicate religious themes in direct and emotional attachment. The secular nobles also saw the dramatic style of baroque architecture and art as a means of impressing visitors and prospective competitors.† (ArtinPicture.com, 2013, para. 2) The Baroque period is known for its extravagance and eccentricity. Chiaroscuro and tenebrism are a large part of Baroque art. Some of the main characteristics of the baroque era are of the portrayals feel emotionally and tangibly real. The artists wanted you to participate in the scene. Baroque artists painted real people with all of their imperfections. The artists rendered religious figures and saints in theological settings and miracles portrayed as ordinary individuals in common goings-on. Gian Lorenzo Bernini is one of the greatest artists to emerge out of the Baroque period. Some of Bernini’s works include The Ecstasy of Saint Teresa, Rape of Persephone, and the Triton Fountain at the Piazza Barberini. Known forShow MoreRelatedThe Influence Of Mannerism And Baroque E ra858 Words   |  4 PagesTitian style can be recognizable through his works for his unique without focus of the outlines and depending more towards highlights of colors. This was the outcome from the influence from living between Mannerism and Baroque era. During the beginning of Titian career, he was an apprentice with a few famous painters before him. Some include Gentile and Giovanni Bellini in Venice, eventually partnered with Giorgione for the majority for the first few years. Until, their partnership cut short whenRead MorePà ©rola Barroca the Imperfect Art : Baroque Essay813 Words   |  4 Pages‘pà ©rola Barroca’ , this word means Art works of Baroque which is came from Portuguese. In English, pà ©rola Barroca means distorted pearl. Although, the name of Baroque’s origin is not uncertain, people who lived in late 17c to early 18c might named for Baroque Arts pà ©rola Barroca for its imperfection and roughness. The age of late 17c to early 18c was very chaotic and contradictory society. Absolute Monarch and Revolutions for free and right were co-existed. In most countries, Absolute Monarch wasRead MoreEssay about French Baroque 1600c.e.-1750c.e.957 Words   |  4 Pages French Baroque 1600-1750 Europe in the 1600s was at the end of Counter Reformation, and as the political and cultural shifts took place, we begin to see art, particularly in France, influenced more and more, by the ruling monarchy. The transition from Mannerism into Baroque is not clear, but eventually the arts started to adopt a new look. And feel. Paintings started to become more exuberant, dynamic and ornamented. The scale of work produced during this time increased dramatically. Where MannerismRead MoreNeoclassical Historical Art1198 Words   |  5 Pagesat enlightening the mind by stimulating emotions (Bietoletti, 2005). Mannerism Historical Art Mannerism is from an Italian word maniera meaning a style. It refers to a style of painting. It also acts as a pathway between the idealized style of renaissance art and the dramatic theatricality of the baroque. There are two main branches the early mannerism popular for anti-renaissance, and then it developed into high mannerism, intricate and designed in a sophisticated inward looking intellectualRead MoreBaroque Art: Protestant vs. Catholic Essay1060 Words   |  5 PagesBaroque: Protestant vs. Catholic Before the purity of Neoclassicism, even before the carefree artists of the Rococo era, there was the dramatic and emotive Baroque. The term baroque is said to have been derived from the Portuguese word for an irregular pearl, and is certainly an adequate description. In the wake of what has become known as the Protest Reformation, the Catholic Church held the infamous Council of Trent. This eighteen year deliberation addressed several aspects of CatholicismRead MoreThe Artistic Style Of Mannerism1826 Words   |  8 PagesThe artistic style of Mannerism began in Florence and reigned from the early 1520’s until about 1590 where it had been widely spread in Northern Europe. Early Mannerist period art is known for its anti-Renaissance style which over time developed into a more intellectual style designed to appeal to a more sophisticated patron. Artists of this time, such as Correggio, Fiorentino and Parmigianino, were followers of the Renaissance masters. Mannerism was an ar tistic approach that focused on the humanRead MoreBaroque Art : Baroque Renaissance1256 Words   |  6 PagesBaroque Art After the idealism of the Renaissance during the 1400-1530’s and the Mannerism of the 1530-1600’s Baroque art found itself as the dominant style of art during the decade of the 1600-1700’s. The term Baroque derives from the Portuguese ‘barocco’ term, or irregular peal or stone – It describes a fairly complex idiom which originated in Rome and became popular during the time period in which Baroque art was prominent which embraced painting, sculpture and architecture. The Baroque styleRead More El Greco Essay1802 Words   |  8 Pagesrepresented the most characteristic figure of Spanish Mannerism. El Greco was influenced by and became acquainted with the art of Titian and Jacopo Bassano in Venice where he studied in 1566. In addition to visiting Italy, El Greco made his way to Rome, Parma and probably Florence. On his travels he became more familiar with the work of Parmigianino and the work of Correggio. In El Greco’s use of form can be seen Florentine Mannerism. Venetian Mannerism can be seen in the peculiar brilliance of his Read MoreBaroque Vs. Baroque Era1495 Words   |  6 Pages Baroque is a complex term used to describe what was thought to be a messy, vaguely disgusting style. Potentially coming from the Spanish words barrueco meaning a rough or imperfect pearl or â€Å"berruca† the term for â€Å"wart†, Baroque came to be a generalized term for art, architecture, music, and sculpture from the 16th century to the early 18th century (Klindt-Jensen 2015). Not only was the â€Å"Baroque period† long lasting, but it was far reaching as well. From Holland to Spain, Germany to FranceRead MoreJohn Rupert Martins quot;Baroquequot; Essay1140 Words   |  5 Pagesunderstanding of Baroque artists and their tremendous variety. nbsp;Martin defines the Baroque characteristics, but only very broadly leaving a significant amount of room for the reader to make his own deductions. nbsp;In general, Martin be lieves that the typical definitions of the Baroque are too restrictive and hence likely to create more problems of classification and interpretation than it solves. nbsp;Even the time of the Baroque is left open to the reader when Martin says the Baroque is roughly